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Women on the Edge: Twelve Political Film Practices
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Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, the book argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent. The individual chapters cover a range of filmmaking practices: Hollywood cinema (Sofia Coppola), European arthouse fare (Sally Potter, Liv Ullmann), the political documentary (Jill Craigie, Kim Longinotto, Liz Miller), world cinema (Guo Xiaolu, Deepa Mehta), the video essay (Ursula Biemann), as well as independent and multi-platformed works (Lynn Hershmann-Leeson, Christina McPhee and Gisela Sanders Alcantara). Expanding the scope of women's cinema beyond themes such as domesticity and beyond feminine stories, issues and concerns to arrive at a range of possible responses to a transnational world, Women on the Edge constructs a feminist ethics for contemporary film and media culture.
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