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All his life, the artistic work of the composer and conductor Wilhelm Furtwängler had been accompanied by the effort to account for it in theory too. This is substantiated by numerous documents. These essays and lectures cover a large period from 1918 to 1954. In these works, Furtwängler deals with basic questions, such as the faithfulness to the original, programme planning, artistic responsibility, modern music, and develops his thoughts on Bach, Beethoven, Brahms, Bruckner, Wagner, Hindemith, Stravinsky, and other composers.
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