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Suchard is a wedding-and-baby photographer whose only ambition is to take better portraits. When Rainer, an old client, comes to him with a commission to film his own murder, albeit faked, Suchard is understandably reluctant. However, the fee Rainer offers is impossible to refuse and Suchard finds himself in the pump-room of Rainer's house, his camera lens protruding through a hole in the wall and a gun in his pocket. By the pool, Rainer's wife has raised a heavy earthenware mortar over her husband's head. What could possibly go wrong?This story first appeared in the collection Mango and Sticky Rice and Other Stories.
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