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Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie it was the first wide-release feature film written directed coproduced and acted by Native Americans. The most popular Native American film of all time Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right.Embedded in Smoke Signalsa's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty Hollywooda's long history of misrepresentation and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearnea's work foregrounds the voices of the filmmakers and performersa"in interviews with Alexie and director Chris Eyre among othersa"to explore the filma's audiovisual and narrative strategies for speaking to multiple audiences. In particular Hearne examines the filmmakersa' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance authenticity social justice and environmental history within the filma's text and context this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark.
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