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Revisionist Rape-Revenge
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161 b
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Rape-revenge is one of film studies' neglected genres, in spite of the plethora of examples globally over the past decade. Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses. Henry examines significant trends in rape-revenge's temporal, cross-media, and cross-cultural shifts during the genre's revisionist phase through in-depth case studies of films such as The Last House on the Left, Katalin Varga , and Descent. These case studies are placed within the broader cultural myths and media narratives about rape. The book uncovers the current potential and limitations of this under-theorized genre for cultural explorations of political and ethical issues surrounding gender, power, sexuality, spectatorship, rape and revenge.
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