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Do we really know what a film-maker is? Or the relationship between screenplay and production? What is involved in directing actors? How does a film crew help (or not) to create a film? What tense or harmonious relations exist between the film-maker and his film production? Why must every film be a battle whose outcome is always uncertain? All such questions are answered in Manifeste du cinéaste, which reveals what lies behind the film-making's décor. Numerous examples allow readers to better grasp how methods used to finance and distribute films are changing how we relate to the world.This is nothing less than a genuine vade-mecum.Film-maker Frédéric Sojcher heads a Masters programme in screen writing and film direction and production at Université Paris I Panthéon-Sorbonne.