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This two-part monograph looks at the design work and paper sculptures of Irving Harper, a designer at the legendary design studio George Nelson Associates who created still-popular examples of American industrial modernism. An essay by Julie Lasky discusses Harper's worklife from 1947 to 1963. During this time, he produced recognisable designs for a host of things from graphics to domestic goods to furniture that are still coveted and appreciated today, although more often branded by the house name rather than his own.