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Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured y new media in the twenty-first. Terms such as "worldbuilding,""virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production.