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Mostly he loved the land and its people, so much that he shunned the cocktail circuit and the city life for the simple pleasures of the kampong and the open road, learning the language and feeling his way towards what French author Henry Fauconnier had called "the Soul of Malaya". With Distant Archipelagos, Peter Moss follows up his account of an Anglo-Indian childhood, in Bye-Bye Blackbird, by painting a vivid portrait of another vanished world.