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The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. The theoretical principles of a theory of color, color measurement, and offset printing are indispensable for calibrating the overall course of production. This volume, printed in four-color throughout, provides not only this, but also numerous tips and tricks on how to work with color in pre-press. And it does so in a practical and graphic manner. This edition pays special attention to a digital media production workflow that makes use of Adobe Photoshop.