Livrare gratuită pentru comenzile peste 349,00 lei.

Verifică starea comenzii

Faceți parte dintr-o comunitate de iubitori de cărți din întreaga lume și beneficiați de o mulțime de avantaje Creați-vă un cont gratuit

Transport gratuit la punctele de livrare Pick Up peste 349.00 lei

Packeta 15.00 lei Serviciul de curierat Cargus 28.00 lei Easybox 20.00 lei FAN Courier 20.00 lei Punct FAN 16.00 lei Punct DPD 17.00 lei Curier Sameday 24.00 lei Curier DPD 25.00 lei

Contact

Cum să cumpăr

Ajutor

Contul meu

▸ Gol :-(

Livrare gratuită pentru comenzile peste 349,00 lei.

Crossing the Wall

Rosemary Stott

Limba

engleză

Carte Carte broșată

Codul Libristo: 10020567

Editura Verlag Peter Lang, noiembrie 2011

More than twenty years after its collapse in 1989, the Berlin Wall remains a symbol of the vigour wi... Descrierea completă

Codul Libristo: 10020567

127 b

274.32 lei

În depozitul extern Expediem în 10-18 zile

Până la 30 de zile pentru returnare

Clienții au cumpărat de asemenea

Die Papstkatze Eva Berberich

Copertă tare

114.25 lei

CAHIER SAMANTHA PTSCX,96P,A5 CHATS

Agendă

56.70 lei

More than twenty years after its collapse in 1989, the Berlin Wall remains a symbol of the vigour with which communist East Germany kept out the 'corrupting influences' of neighbouring West Germany. However, despite the restrictions, a surprising number of artistic works, including international films, did 'cross the Wall' and reach audiences in the wide network of cinemas in East Germany. This book takes a fresh look at cinema as a social and cultural phenomenon in the German Democratic Republic (GDR) and analyses the transnational film relations between East Germany and the rest of the world. Drawing on a range of new archival material, the author explores which films were imported from the West, what criteria were applied in their selection, how they were received by the national press and film audiences, and how these imports related to DEFA (East German) cinema. The author places DEFA films alongside the international films exhibited in the GDR and argues that film in East Germany was actually more transnational in character than previously thought.