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As political barriers crumble, Asian cinema is increasingly attracting the attention of film critics, film scholars, and specialists in cultural studies. The relationship among cinema, nationhood, and history is as complex as it is fascinating, bringing us face to face with questions of power, ideology, truth, coloniality, post-coloniality, and representation. "Colonialism and Nationalism in Asian Cinema" deals with film traditions in nine Asian countries Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka and Australia. This book should be particularly relevant to Asianists, anthropologists, film scholars, students of cultural studies and historians.